When
it comes to wood sculpting, Pierre Woog has an unusual modus operandi.
In his quiet workshop he sets a piece of wood on his worktable and looks
it over carefully. “If I listen,” he says, “the wood
talks to me.”
Curiosity aroused. We ask: “What does the wood say?” Woog
looks up. “It tells me what to do with my chisel and scraping
tools to bring out its inherent beauty.” He demonstrates his technique.
The skilled craftsman positions his chisel precisely, and raises his
hammer. Wham! One deft stroke and a fragment is chipped off, revealing
a curve in the wood. Just what he was hoping for. “Most of my
pieces are curves – for meditation,” says Woog. “As
I sculpt, I’m patiently mindful of contours. I want to bring them
out in flowing and complex ways to reveal their graceful shapes and
subtle changes in color.I have only one over-arching rule,” Woog
continues,“Don’t go against the grain. To violate the grain
would be to destroy the integrity, dignity and soul of the wood.”
It’s important to Woog that his sculptures are pleasing to the
eye and feel good to the touch. “I take a finger and follow the
contours. They’re smooth and sensual, vital…I can feel the
contours speak to me.” The artist never paints his pieces. Instead,
he coats them with beeswax, to bring out their natural luster. Woog’s
multi-windowed workshop is adorned with a variety of his wood sculptures,
each as individual as snowflakes. For viewers who appreciate abstract
art, there’s food aplenty to spark the imagination and to inspire
meditation. Just outside his window, pieces of wood are stacked, awaiting
their transformation. “Most Woogwood comes from my own woodpile,”
he says, “including oak, hickory, pine and other woods I don’t
know.”
Over the years, Woog has created a variety of wood sculptures, using
the experience mostly for meditation. But he says,”It’s
a lot of fun, finding the wood and the right tools” and of course,
crafting the pieces “so that the wood’s essence emerges
in all its splendor."
-The
News Eagle (Pike County, PA) March 2007